Having just recently seen this film for the first time, I’m not quite sure what to make of it. I have no problem with time travel stories if done well. It’s one of the classic themes of science fiction writing, and when there’s a problem with it, it’s not with the genre itself. H. G. Wells’ “The Time Machine” is a classic story, and even earlier than that, you could even argue Charles Dickens’ “A Christmas Carol” has an element of time travel to it.
But I digress. This movie is an odd one. The way the time travel happened was not great, and the seemingly haphazard nature of it begs the question of why it wasn’t happening all over the place. Also, the inclusion of Casey Jones seemed gratuitous. Then again, I wasn’t a fan of Elias Koteas in the first one. That said, the reason for his inclusion made sense - they needed someone to stand guard for them, and he was a fair enough choice. Trouble is, it didn’t really further the plot, and was more just for some screwball comedy distracting from the main storyline. Compare that with the original Star Trek episode “Mirror, Mirror” - when Kirk, Scotty, McCoy and Uhura accidentally beam back to a parallel universe (where Spock famously has a beard). We only see one brief clip of their counterparts in ours, as they have been quickly found out. They don’t keep revisiting that side (although an escape attempt by them might have been an interesting addition to the plot).
Anyhow, the whole time travel thing. Yes, the way April went back at random, it was a bit contrived to give them an excuse to go back. They could have handled it much better. A good time travel story is a joy (like Back To The Future or Star Trek First Contact). But this just didn’t feel like much effort had been made on the script. If you’re going to do a time travel story, it requires plenty of thought. Also the moment at the end when Raphael and Michelangelo decide to stay again seems a bit gratuitous. The idea that they don’t fit in back home, well, they won’t fit in any better in feudal Japan.
One thing I will say for it is that feudal Japan is not a destination that’s been overdone with time travel stories, so it’s got that going for it (I mean seriously, how many time travel stories are there that go back to World War II or Ancient Rome?) - and also it fits in nicely with the turtles’ ninja skills. So as a destination it makes sense. But they could have made a lot more of the time travel angle from the perspective of the people in the past, the villains finding out and wanting to take advantage of it (yes I know that’s a cliché but it’s the sort of cliché that works, because the villains want to exploit anything, not just time travel!).
Maybe I’d have to see all three of them again to properly make up my mind about them. I can’t say I’m that fussed though.