I only saw this film for the first time last year. I have just finished watching it for the second time.
It’s great. I can’t count how many elements have entered our consciousness from it.
The first thing that struck me here was how much influence this film owes to Alistair MacLean, one of my favourite writers. The plot of the self-contained hostage environment is apparently based on a 1979 novel by Roderick Thorp called Nothing Lasts Forever, although the concept reminds me of MacLean’s 1976 book The Golden Gate, a hostage situation in the closed environment of the Golden Gate Bridge. Worth a read if you get the chance. It was never filmed, although the 1980 film Hostage Tower, based on a treatment by MacLean, does tell a very similar story set on the Eiffel Tower. The intruders’ true motives, using the hostage situation as a distraction, is also in a few MacLean novels - not the one I just mentioned, but a couple of others. The corpse appearing in the lift happened in another MacLean novel, Puppet On A Chain, which is about drug smuggling in the Netherlands.
Reading up on the origins of this movie, I have to say, I struggle to imagine Frank Sinatra in this role. He was too suave, not gritty enough. Bruce Willis is great in the part. For better or worse, it’s the role he’ll be remembered for after his death. Thinking about it, Bruce Willis is very much a tough guy name. I see his actual first name was Walter, but he’s gone the same route as James Paul McCartney and just used his middle name. Coincidentally he appears to have something else in common with Paul, being left-handed.
Alan Rickman is perfect as the villain. I can see why they cast him as the Sheriff of Nottingham a couple of years later opposite Kevin Costner. Basically he got to reprise this role but take it completely over the top to comedic levels. Also several other familiar faces in the cast - Paul Gleason as the deputy police chief, he was in The Breakfast Club as the headmaster, William Atherton as the reporter was in Ghostbusters as the EPA man Walter Peck. And I’m sure there was someone else I recognised too but can’t think.
The pacing of the film is just right. It’s one of those where you know early on something is going to happen, but you aren’t sure what until it does.
McClane picking off the individual intruders one or two at a time is indeed very much like Rambo, that didn’t occur to me until you mentioned it. As for comparing the Christmas theme to Rambo however, I have to say no. With Rambo we just see the Christmas decorations up at the start of the film, it’s handled very subtly. With Die Hard, everyone is mentioning Christmas all through the film.
The music too is worthy of a mention - Beethoven’s Ode To Joy when they finally break into the vault is absolutely perfect for that moment.
One of these days I’ll probably get it on DVD.