Alistair MacLean wrote 28 novels between 1955 and 1986. The best include:
HMS Ulysses
The Guns Of Navarone
South By Java Head
Night Without End
The Dark Crusader
The Golden Rendezvous
Ice Station Zebra
Where Eagles Dare
Some of those titles might be vaguely familiar to you because well over half his books were filmed. Half of the above titles were. Film adaptations of his books tend to be hit and miss, the two that are universally acknowledged to be the best films of his books are “The Guns Of Navarone” and “Where Eagles Dare”. If you get a chance to see either one, take it! (Or just get them on DVD, you won’t be disappointed!)
As for Spiral Zone, like I say, I only saw a couple of episodes by chance on holiday in Spain, they would have a section of English TV of an evening, and it satisfied my action cartoon craving. OK, it wasn’t Thundercats or DotE, but it did the job.
For some reason it stayed lodged in my memory, and some time in 2012, I finally looked it up, and had a watch. Has its moments, if done properly could have been a classic, although it can be hit-and-miss at times.
If you have a go, like I say, episode 4 is the pilot!
It does seem more logical to bring back something that wasn’t overly successful and make the appropriate changes to try and make it a success. But I guess it’s the ‘if it isn’t broke don’t fix it mentality’.
They want to keep milking the cash cow until it’s dry.
I think you’re mixing your metaphors there! Yes, the successful ones get flogged to death by remakes, which keep tinkering around with the basic premise, completely ignoring the “if it ain’t broke don’t fix it” motto!
The uniform concept works in some cases. I like the characters to be individuals but there are ways to do it right. DOTE for example wouldn’t work if they all work matching uniforms.
Agreed, the characters were all different individuals from different comic strips, so putting them in matching uniforms wouldn’t have worked at all.
Actually, I just had a thought on the DotE episode title cards - and why they are different. I think it goes back to the characters all starting life in the 1930s, back during that glorious time when Hollywood blockbusters used to have beautiful hand-painted posters to publicise them. Some of the DotE episode title cards have that same feel - you could imagine some of those title cards up outside the cinema, “now showing”.
In G.I. Joe’s case when the first series came out they all wore military uniforms. All basically the same (except for Scarlett) with different colour shades. Snake Eyes just had the basic uniform except all black. Same in the comic. So much so around 2003 Hasbro released various sets of the first seriescharacters all in matching comic colour uniforms.
Starcom worked well with everyone having similar uniforms.
Starcom is another one that I never saw but knew of, because at the end of one of my old Visionaries videos, there were trailers (well, excerpts of the title sequences) for a few shows, including that one. Actually, that was how I first heard of Visionaries, that title sequence was shown with others at the end of a Rupert Bear video - I’d have been about 5 or 6 at the time. And I remember not thinking much of that theme song even the first time I heard it. Then I caught the end of an episode on Going Live, and thought, maybe it might be worth watching after all! I still don’t like the theme song, but the show has always been and always will be a favourite.
I may have to look into Pole Position as I do like Alfred Hitchcok films. I got into Hitchcok years ago thanks to ‘The Three Investigators’ novels. He used to introduce the various books up until his death.
Not heard of those.
My favourite Hitcchock film is always going to be “Strangers On A Train” - it is by far and away the most suspenseful film I have ever seen. “North By Northwest” is of course the daddy of the modern action blockbuster (and beats the pants off of most of then, I saw “The Da Vinci Code” just last year, and felt Ron Howard was trying to do “North By Northwest” with it). “Psycho” is the exception to the rule of my not liking the horror genre; and of course all three that he made with Grace Kelly (a legitimate contender for the title “most beautiful woman who ever lived” - an impossible absolute to award, of course, but hers is one name that no shortlist worth its salt would be complete without). “Rear Window” - that phone call at the end, and we know what’s about to happen, one of those jaw-dropping moments that Hitch managed so effortlessly. “Dial M For Murder” was the first of his that I ever saw; and “To Catch A Thief” - flawless.