Your list, your terms. I only made mine so specific to narrow down candidates.
A bit like a decade ago, when my CD writer was still a novelty, and I started making my own singer-songwriter compilations:
First of all I split The Beatles down the middle (1 disc full of John’s best, 1 disc full of Paul’s best), then their solo stuff (2.5 discs and counting for Paul, 1 for John), not forgetting George (Beatles, solo and Traveling Wilburys all on one disc).
Moving away from the Fab Four, I did Sting’s Police and solo high points on a disc each (although the solo stuff is running onto a second disc now), and on the Police disc, I hit trouble. There were 22 songs on the final list, and the disc was overrunning by about 5-6min. So I had to get rid of two songs. Now, as luck would have it, exactly two songs on the compilation were written by the other band members, one each by Andy Summers and Stewart Copeland respectively.
And so was born the singer-songwriter rule; any song on these compilations I make has to be written and sung by the artist named.
This rule has been a mixed blessing - it made the Sting Police compilation perfect, but has sometimes ruled a classic out of consideration for some of these compilations. For instance “Day Tripper” - written by John and sung by Paul (I know the official credit is to both of them, but, you know!). Not to mention all the Simon & Garfunkel songs where Art Garfunkel sings the lead part, the biggest casualty here being “The Sound Of Silence” (they sing in harmony, Paul provides the harmony, Art sings the melody). Or the Steve Perry compilation that had to omit two of my favourite Journey songs, “Faithfully” and my absolute fave of theirs, “Wheel In The Sky” (although even without these two gems, this is one of the best compilations I’ve ever put together). And don’t get me started on all the great Queen songs I couldn’t consider for the Freddie Mercury compilation . . .
I have heard of TPOZ and I think I seen bits of both films during the day on TV but I didn’t really pay much attention to them.
I’ve got the Stewart Granger one (1950s) recorded. Interestingly, Fritz von Tarlenheim is played by Robert Coote, who a few years previously was Aramis opposite Gene Kelly’s D’Artagnan. It also has James Mason as Rupert Hentzau; a lot of people say he was too old for the part, but damn it, he played it with panache.
BTW as we were also speaking of the summer of 2000. It was in September of 2000 when I discovered how good Queen were. I knew of Bohemian Rhapsody, We Are The Champions and We Will Rock You but that was about it. But I really liked the Highlander film. I had seen bits of it when I was younger but I watched a lot of the Highlander cartoon series and liked it and it was on one Friday night and I was in watching it and I instantly loved Princes of the Universe. Then of course A Kind Of Magic and Who Wants To Live Forever. I watched the credits to see who did the songs and was so surprised to see it was Queen.
Only a year behind me then! I got into Queen in 1999, after receiving an mp3 CD of most of their albums (I subsequently bought all their albums on regular CDs). I knew “These Are The Days Of Our Lives” and “Don’t Stop Me Now” because they had been used for montage sequences in the World Snooker Championship in 1992 and 1996 respectively (this is also how I fell in love with “Every Breath You Take” in 1994); and decided to give them a go. Anyhow, it turned out there were a few more songs of theirs that I recognised, but hadn’t previously known were them. Including We Will Rock You and We Are The Champions - I guess they’ve sort of passed into folk tradition already! Anyway, there was also:
Bicycle Race
Another One Bites The Dust
Flash’s Theme
Radio Ga Ga
I Want To Break Free
A Kind Of Magic
I Want It All
I was quite impressed. Like I say, impressed enough to go out and gradually buy all their albums over the next few months.